portraits

in addition to painting and drawing each day (usually small sketches/paintings), I've been pursuing my interest in portrait painting.

I started exploring broken colour a few years ago, then my old dog got sick, then I spent 3 years nursing him, then we got a new dog, then my husband left his job, etc., etc., etc., you know, life kind of interrupts my art.

So I booked in for a week long workshop at Mitchell School of Arts, Bathurst, this January. My tutor was Lesley O'Shea, another of my favourite painters. I love the way she uses colour. Anyway, my first painting was fairly traditional :
Then, after a few reminders from Lesley, I "went to town" on a picture of my mother, getting all carried away with brushstrokes, colours, everything, which matched the joyful expression on my mother's face (I worked from a photo).With all that going on in the portrait, I didn't need a background at all, so left it white.
The next day I got stuck into a picture of my husband, and then one of my nephew who had recently visited us in Sydney.
So that was one painting each day - Monday to Thursday - at Bathurst. On the final day I decided to paint a friend's horse - I'd promised to do it a while ago, as a gift for her 21st birthday. Here is the initial painting, just needs final tweaks now (like some EYES for the poor creature!)

The beauty of this week-long workshop was that after my initial half hour with Lesley, I was again on the right track and worked on my own for the remainder of the week. You can probably see a similarity in my style once I stuck to the technique.

I am very happy with the results, working in the broken colour technique. Horses are really really complex, even more so than human figures. I've drawn and painted hundreds of humans, and horses are much more difficult. Anyway, I can only improve! LOL